“Shem is associated with the mystery of the double shin as shemesh (sun), as shoshan (rose) and as shesh (six).”
“This hidden or veiled shin is the secret letter of the divine name which the Zohar (1:224a) states that the shin is a crown that unites YH with VH.”
“The two shins also represent the Kingdom of the Divine Will which is the Rose Kingdom.”
The Shin (sh)
The Double Shin (Sh-Sh (SS) – sine waves = double helix
Shoshun = the Rose = the Star Tetrahedron
Six = 3 + 3 (joining of male and female) 69 = 8
13 = 12 around 1
12 around 1
http://www.crystalinks.com/12around1.html
Creation begins as a source of sound, light and color emanating from a pulsating orb of consciousness. 12 spiraling cones (horns, tones, harmonics) burst forth forming a circle around the source consciousness, connecting with it and each other to create endless grid programs of experience following a geometric blueprint we call sacred geometry. Soul sparks of light spiral from the central source, randomly moving into the grids to consciously experience.
The "12 around 1 pattern" (12 = 1+2=3) or third dimension references physical reality as nothing more than a biogenetic experiment based on linear time to experience emotions.
The Star of David – two interlocking tetrahedronshttp://thunderbolts.info/wp/forum/phpBB3/v ... 285#p51643
The Rose Queen, the Rose of Sharon
Jewish prayer also refers to the Rose of Jacob (Shoshanat Yakov) as a symbol for the mystical Israel. The daughter or Rose of Jacob refers to Dinah who is the only daughter and thirteenth child of Jacob.
The 13 petalled Rose was thus the symbol of all Israel and of the Woman of Israel. Dinah was the grandmother of Ephraim and Manesseh. Their mother Asenat (Anath) was the wife of Joseph and the daughter of Dinah and the Prince of Shekhem (Sekhemkhet- bridegroom of Shekhem). Jacob later identified his granddaughter Asenat by the Rose birthmark she bore which was in the shape of the two mems of the Magen David.
The Virgin Miriam also bore this birthmark connected with the letter mem. The number 13 became associated with Dinah’s grandson Manesseh and one matriarchal clan of the Manessehites was called the Tribe or Daughters of Dinah (Dana). They were later confused with the Tribe of Dan due to their intermarriage with some of the Danites in Greece. Joseph and Asenat’s daughter Antkaes married Unas Meriyibre Khety and their daughter was called Khentkaes Iput. Khentkaes Iput’s sister was the Beautiful White Rose (Sheshet/Sesheshet Neferu) the mother of Teti I.
Just as the Rose of Jacob refers to Jacob and Dinah, so do Jewish prayer associate the Rose of Jacob with Esther and Mordechai. Esther and Mordechai live in the city of Shushan or in the City of the Rose when read on a Mystical level.
The Rose dynasty goes back to the wife of the original founder of the city of Shushan. Shushana (Susan) the original Rose was the wife of Elam founder of Shushan and from her daughter Yiskah Bat Shoshana (wife of Madai) descended the direct Matriarchal line. Yiskah was a prophetess who gazed into the mysteries of the Divine Rose. She studied in the academy of her grandfather Shem (died 2194 BC) son of Noah (died 2341 BC) with her grandmother Sedeketelebab in the city named for her grandmother by Shem.
Her sister Ratzonia (Rasueja) Bat Shoshana was the wife of her uncle Arpachshad son of Shem. Sedeketelebab means ‘righteousness of the Heart’ and this was the spiritual religion of Noah and Shem based on Divine Mercy (Khesed) and obedience to the Divine Will (Ratzon) as taught by Enoch. The names of Shem’s family reveal the ancient Enochian religion.
The Aramaic word for heaven or sky in Genesis 1 is Shamya which in Egyptian becomes Shem-re. Shamya in Hebrew is Shamayim. The concept of the Divine Name (shem) is associated with the Sea (yam/mayim) and with fire (esh). Thus the name (shem) of the Divine Sea (yam/yammah) which is especially linked to divine mercy (khesed) became shamayim (heaven) and the name (shem) of the Divine Fire especially linked to divine Judgment (din/dinah) became shemesh (sun). Shem is associated with the mystery of the double shin as shemesh (sun), as shoshan (rose) and as shesh (six).
His father Noah was associated with the mystery of the double mem as his other name was Menakhem and his life is linked to the waters (mayim) of the flood. Shem’s wife is associated with the mystery of the double bet of the Immaculate Heart (lebb) which is the mirror of the Divine Heart (leb). Reading from left to right this ‘lebb’ is found in the first three words of Genesis in Hebrew ‘eLohim Bera Bereshit’. From the lamed in elohim to the beyt in bereshit is 11 letters representing the array of the 10 sefirot plus the outer face of the sefirah of Keter called Daat (Knowledge) – this is the vessel or lighting flash that cloaks the inner essence of Keter called Ratzon represented by the aleph.
The mystery of the Rose (Shoshan) is the mystery of the hidden letter of the Divine Name YHVH. It is the mystery of the letter shin (sh).
The name Manesseh also reveals this mystery as Manesseh (Menashshe) is written with one shin but pronounced with two shins.
This hidden or veiled shin is the secret letter of the divine name which the Zohar (1:224a) states that the shin is a crown that unites YH with VH. The menorah is also shaped like three skull-shaped shins that also resemble a tree or Rosebush with the rose flowers in bud shaped like the Magen David. Thus the Messianic pronunciation of the Divine name is YHShVH (Yahshuah or Yehoshuah). This reveals the deep hidden mysteries of the Triune God and the Cross.
The two shins also represent the Kingdom of the Divine Will which is the Rose Kingdom. In this Rose Kingdom is the Rose Garden and Rose Tower or Castle where dwells the Rose Queen called Shekhinah and Shabbat (representing the two shins). This Rose Garden is the mystery of the Rosary. This Kingdom is also the Grail Kingdom with its Grail Castle and the Grail Garden is Gethsemane.
The Rose, (or Lily) as shoshan (the male Rose), is in Jewish tradition associated with the Patriarch Jacob. Jewish prayer speaks of Shoshanat Yaacov (the Rose of Jacob). The Lotus, Lily and Rose are all used to refer to the Hebrew Shoshan. In Egyptian it is Seshen and the term Seshen – Yuab is the Rose of Jacob (or Rose Heart) which is a title of Ra as well as Seshenu en Nefer-Temu which refers to Asenat (Ausausit) the wife of Temu (Joseph). Nefer means white, fair and beautiful. Tem or Temu is Tam in Hebrew and refers to a complete, wholesome, perfect and upright man.
The stone as shesh-t is in the shape of the final mem which is similar to the hieroglyphic ‘m’. The stone as capstone is benben and is shaped like the triangular mem.
The name of Noah’s son Shem refers to shemesh the fire or essence of the sun also seen as shem yesh (name being). It is also connected to the word Shamayim or shamya for heaven. This refers to Ratzon (will) and God’s omnipotence.
DaVinci Code II - The Mystery of the Pyramids
http://www.heartoftheinitiate.com/node/82/print
The Spinning Tetrahedron and HyperdimensionalityThe first DaVinci Code article showed step-by-step how a perfect six-pointed star could be constructed within the human figure. Some suggest that the six-pointed star also represents two three-dimensional tetrahedrons. A tetrahedron is a four-sided solid, where each side is an equilateral triangle. The two interlocking tetrahedrons together form a solid called a star tetrahedron.
The star tetrahedron also represents what some believe to be the human energy field, also called the Merkaba. I don't think any of us can be certain that the human energy field looks like this, but there are some very synchronistic relationships that are revealed.
If you place a star tetrahedron inside of a sphere, with one of the apexes of the tetrahedron at the 'North' pole and one at the 'South' pole of the sphere, then the other six apexes of the star will touch or intersect the sphere at 19.47° above and below the "equator" of the sphere.
Consider the fact that the earth is a thin solid crust that is rotating at great speed around what is basically a liquid magma center. The result is an upwelling of great force that occurs at 19.47° North and South that seemingly comes from nowhere. In any case the result is that a large amount of volcanic activity occurs at those latitudes. It is theorized that these forces are hyper-dimensional in nature and cascade into three-dimensional reality resulting in volcanoes.
Another synchronicity that occurs in DaVinci's drawing is that you can take the two-dimensional six-pointed 'Star of David' and if you interpret it as a view of a three-dimensional object it is a perfect dipyramid. The pyramids that were constructed by the Egyptians were not 3-sided tetrahedrons but were 4-sided pyramids, because they had a square base, plus four triangular sides. A dipyramid is simply two pyramids stuck together at their base.
If you rotate the dipyramid represented by the Star of David in DaVinci's drawing, by an amount equal to 36.26° (90° minus 19.47° divided by 2) the dipyramid will move into a perfect right-angle, two-dimensional view. The pyramids of Egypt were not quite perfect pyramids, as they were constructed slightly squatty. But even so, there is definitely a connection. Remember they are located at 19.5° North latitude!
The ayahuasca journeys unfold reality into an extraordinary fractal mathematical representation. There is such a vast amount of information that is encoded into us already; it is simply a matter of unlocking the brain in order to perceive it. Somehow there is a connection between the dimensions of the human body to the earth; to the location of volcanoes; to the location of sacred sites; and to even to the pyramids themselves.
Incredible! To review, you have a perfect six-pointed Star of David in DaVinci's drawing, which can be extended into a three-dimensional star tetrahedron, unfolding a story about unknown hyper-dimensional physical forces occurring at 19.47° North and South. The two-dimensional Star of David can also be represented as a three-dimensional dipyramid, that when rotated by 35.26° which happens to be a mathematical factor of 19.47°, will return back to a two-dimensional representation of a dipyramid. Half of the dipyramid is a perfect equilateral pyramid.
The divine nature of man is hidden inside of reality itself, and the true nature of reality is hidden within humans. In our modern world we have developed myopia to such a degree, that we have collectively distorted our perception of where we really are and who we really are. But, many are making the journey back, a journey of remembering.
The Topology of Time
http://www.sacredmysteries.com/public/97_2.cfm
The Four Dimensional Hypersphere torus is also represented by the hypercube. A hypercube is a cube within a cube according to physicists. Essentially this cube, also called ‘The Cube of Space’ or the Tetragrammatron’ by the alchemists is a straight edged version of the donut shaped hypersphere.
Scientists love to be able to construct objects using straight lines, so they have created the hypercube to help them better understand the hyperdimensional universe that surrounds us. Alchemists however, like to use the curved lines of nature, so the donut shaped torus or hypersphere, is a better, more natural visual description of hyperdimensional space and will be the one I use in this essay.
The alchemists believe that there is a hyperdimensional ‘body’ around every living thing on earth. This hyperdimensional ‘body’ or sphere known to mystics as the luminous energy body, also surrounds every planet and star as well. Each object in the three dimensional world is an affectation of four-dimensional space. Humans, animals, plants, planets and stars are the solid inside of the fourth dimensional energy flow. As you will see time also travels in this fashion
In order to begin to understand the topographical nature of time it is very important to understand the guts of this hyperdimensional sphere. By the ‘guts’ I am referring to the vortexes that make up the energy flow that runs through the center of the hypersphere. As the energy flow begins to fall into the vortex that runs through the center of the sphere it takes on the shape of a tetrahedron.
A tetrahedron is the building block of three-dimensional space and is the founding member of the Platonic Solids. The tetrahedron is the simplest object that can be created in three dimensions. The only object with just four sides, the tetrahedron is also shaped like a vortex.
Understanding tornados also helps us understand vortexes and the density of forces in the hypersphere. Tornados (and also hurricanes) are made up of air like that which surrounds us all the time. But as the air begins spinning it takes on a strange solidity. While the swirling air at the top of a tornado is somewhat dangerous, it is the spinning air near the surface of the ground that is really dangerous. Near the tip of a tornado, where it is in contact with the ground, the air takes on the quality of solid iron. The tips of tornados can rip buildings apart, throw cars and trucks thousands of feet and punch chaffs of wheat into the very center of trees like a bullet. As the air spins more violently, the tip of the tornado vortex becomes as strong as 50 locomotives engines and possesses the density of the hardest of metals. Yet it is just comprised of air molecules. But these molecules are spinning so quickly that they create a mass that is extremely powerful. It is the spin of the air that causes it to densify and take on the solidity of metals.
Getting back to the central core of our hyperdimensional torus we can understand the vortexes inside this sphere and how time unfolds by using the tornado analogy. As the energy flow begins to dip down into the top of the tetrahedral shaped vortex it begins to spin. As the energy flow descends, its spin becomes more rapid and compressed. Like a tornado, as it reaches further down, the tip of the vortex ‘hardens’. It could be said that this hardening of vorticular forces is what makes up the solidity of our three dimensional space. Each human, plant, animal and indeed every planet and star alike are the hardened tips of hyperdimensional vortexes, which are flowing all around us constantly.
Like air, these hyperdimensional forces are pretty much invisible to us. It is only when these forces coagulate into a spinning vortex that they can be seen and felt. It is through the rapid spinning of four-dimensional space that the solidity of the third dimension is actually created. The mystics from all great traditions know this and they realize these inner dynamics of the fourth dimension as it interacts with the third dimension. The fourth dimension is the surrounding sphere and the third dimension is the tetrahedral vortexes that make up the central core of the sphere. To the ancients, four-dimensional space was called ‘spirit’ and three-dimensional space was called ‘matter’.
So what does this have to do with time and the topography of time? Remember the dilemma that we face in trying to make the four ages of the precession match up with the Ages or Yugas from the Hindu system? By attempting to make the two into one we can not only understand the topology of time, but also we can map time like the ancients and we can know where we are in the river of time.
Imagine that we are coming through the very center of where the two tetrahedral tornado vortexes intersect at the very center of the inner hyperdimensional sphere. Moving down the bottom vortex towards the outside surface of the sphere, each spin in the vortex takes longer and is wider and slower than the previous spin in the vortex. In other words, the energy flow expands after it passes the ‘null’ point in the very center of the hyperdimensional sphere, or torus, where the tips of the two tetrahedral vortexes touch.
This energy flow continues its expansion as it climbs over the lip of the bottom edge of the sphere where the vortex meets the outside edge of the sphere. The energy flow continues to expand until it reaches the outside equator area of the sphere. Once it gets past the equator, the energy flow begins to condense, the flow begins to move faster and the spin density increases. This flow continues until the energy flow reaches the upper lip of the outside of the hyperdimensional sphere where it begins to ‘fall’ into the top of the tornado tetrahedral vortex.
Now as the flow of energy falls down the vortex towards the null point at the very center of the sphere it begins to harden as it spins faster and faster. This goes on and on until the vortex is so hard it is like iron. This is how the fourth dimensional forces create three-dimensional reality. As the vortex spins faster and faster, eventually it compresses down to the point where it has nowhere to go but outwards again. This occurs at the null point in the center of the sphere and the energy flow now begins to once again expand.
The Golden Age is the time period that starts at the null point in the center of the sphere and continues through the bottom vortex. As the energy flow expands outwards time appears to slow down. The entire period of the Satya Yuga, or the Golden Age, continues as the energy flow goes down the bottom vortex and rounds across the top of the sphere. It continues expanding until it arrives at the equator.
The equator of the outside of the hyperdimensional sphere is the borderline between the Satya Yuga and Treta Yuga, or the Golden Age and the Silver Age. Now the energy flow begins to contract as it flows upwards towards the north pole of the hypersphere.
The Silver Age, or the Treta Yuga, continues until the energy flow rounds the top lip of the hyperdimensional sphere and begins to fall into the upper tetrahedral vortex. This then is the borderline between the Treta Yuga and the Dvapara Yuga, or the border between the Silver Age and the Bronze Age.
About two thirds down in the upper vortex, where the energy flow is spinning so fast that it becomes as solid as iron, is beginning of the last Age, the Kali Yuga, or the Iron Age. This spinning continues to gain density and compression and speed as it races towards the central null point in the very center of the sphere. As it approaches this null point the forces become unbelievably fast, violent and dense. It is only when these forces achieve maximum density and they can no longer compress any further that they begin to suddenly flip and begin the expansion of the flow. This happens in an instant. This is the shift from the Iron Age, or the Kali Yuga to the Golden Age, or the Satya Yuga. The borderline between the Iron Age and the Golden Age is the most distinct border in this topographical illustration of hyperdimensional time. It is the most jarring and is instantaneous.
Take notice of the hourglass shape of the two tetrahedral vortexes inside the hyperdimensional sphere. Is this why Fulcanelli tells us about the hour-glass in the quote at the beginning of this article? In the Hindu mythology the God Shiva dances the world into and out of existence playing his dhamaru which is a two sided drum shaped like an hourglass.
Notice that, like the number of years in the Hindu Yuga system, the distance traveled through our ages in the hypersphere is similar; the Golden Age, which is the distance between the null point in the center and the outside equator is twice the distance as that traveled through the Silver Age which is the distance from the equator to the top of the lip of the upper vortex. Equally, the distance traveled from the top of the vortex to two thirds down, which is the Bronze Age, is half the length of the Silver Age. Finally, the tip of the vortex is half the length of the Bronze Age.
This part, called the Iron Age, is the Age in which we live. This is also why, in the Iron Age, each second feels shorter than the second before. This is why each day, each month and year appear to be going faster than they did previously. In the topology of time this effect can be easily understood and explained.
Also remember even though the distance traveled is much further in the Golden Age than it is in the Iron Age, the number of years it takes is the same. It takes 6,480 years to go through the Golden Age just as it takes 6,480 years to go through the Iron Age, but it feels much different. In the Golden Age each second, each day, each month and year appear to be longer than the previous day, month and year. Time is expanding in the Golden Age and with that expansion the anxiety and tension of the Iron Age disappears. It is a paradise, especially to those who may have survived the passing through the wormhole, or the null point at the center of the hyperdimensional sphere.
Therefore, the years listed within the Yuga system are actually symbolic times that explain the lengths of time as it is felt not as it is lived. So the Golden Age or the Satya Yuga feels like it is much longer than the Kali Yuga, or the Iron Age.
The shamans in Peru tell us that we are approaching the Pacha Cuti, which means, literally ‘the world turned upside down’. They say that it will arrive in the year 2012. This is also the year when the great Mayan calendar reaches its end point. The cross of Hendaye is quite explicit in saying that we are reaching the very end of the Iron Age. I would suggest that the null point, or the wormhole at the very center of the hypersphere, is very likely the 2012 date. Our hypersphere appears to be regulated by the periodic alignment of the galactic center with the sun. This also matches the four fixed signs of the zodiac and explains why the Christian tradition is preparing for the endtimes.
The unknown builder of the mysterious Cross at Hendaye gives the entire hyperdimensional map to us on a platter. Fulcanelli coyly ignores it knowing that its meaning will only become clear when one has truly understood alchemy. At the very top of the Cross, on the west side, just above the broken Latin Inscription, sits a single ‘X’.
This ‘X’ is the inner map of the guts of the hyperdimensional sphere and reveals the hourglass shape in a clear and concise manner. The ‘X’ is truly the most mysterious symbol on the Cross at Hendaye and its meaning is finally revealed here in this article.
Oddly enough, it also appears that Stanley Kubrick is trying to tell us about the end of our Age in his masterpiece film 2001: A Space Odyssey. The Starchild at the end of the film has passed through the Star Gate of the black monolith and is returning to Earth to create a new world or a new Age.
It is through our understanding of the Four Ages, the fixed signs of the zodiac and the Yuga system that we can finally appreciate the message that our ancestors have handed down to us. We are about to pass through the Star Gate, the wormhole, and the null point of hyperdimensional space.
The Cross of Hendaye reveals the most important knowledge of all, which is the end of time and the beginning of the Golden Age. Awareness of this knowledge helps us all to more fully comprehend the nature of the times in which we reside and the destiny of the human race.