http://www.thunderbolts.info/tpod/2011/ ... 1stake.htmIn the Sumerian tale, the god Enlil, also styled Gibil, separates heaven and earth with his al or “hoe”:
“Then Enlil praised his hoe (al), his hoe (al) wrought in gold, its top inlaid with lapis lazuli, his hoe (al) whose blade was tied on with a cord, which was adorned with silver and gold, his hoe (al), the edge of whose point (?) was a plough of lapis lazuli, whose blade was like a battering ram {standing up to a great (gal) wall} … Gibil made his hoe (al) raise its head towards the heavens – he caused the hoe (al), sacred indeed, to be refined with fire.”
The deity allegedly did so at a sacred place called uzu-è-a, "where flesh came forth," raising or suspending the bulug, the “axis of the world,” at Dur-an-ki in the ancient Sumerian city of Nippur. The idea may have been that the hoe itself transformed into this column.
Rens says that Enlil is also styled as Gibil. But I have tried to find any such connection but it is just not there. As far as I could find Enlil is a God of Heaven and Gibil a lesser god who has a dominion about Fire and purification.
Even in The Song of the Roe which is cited in this TPOD there is a clear separation of the two. Because of the use of the elipsis I personally think Rens makes a bit of a confusion there as the first part:
So Enlil splits/divides Heaven and Earth with his roe and he does not use it to raise the axis of the world at Dur-An-Ki (the Bond of heaven and Earth ).1-7. Not only did the lord make the world appear in its correct form -- the lord who never changes the destinies which he determines: Enlil, who will make the human seed of the Land come {forth} {(3 mss. have instead:) up} from the {earth} {(2 other mss. have instead:) chamber} -- and not only did he hasten to separate heaven from earth, and hasten to separate earth from heaven, but, in order to make it possible for humans to grow in {'Where Flesh Came Forth'} {(2 mss. have instead:) 'Where Flesh Grew'} (the name of a cosmic location) , he first {suspended} {(2 mss. have instead:) raised} the axis of the world at Dur-an-ki.
8-17. He did this with the help of the hoe (al) -- and so daylight broke forth (aled). By distributing (altare) the shares of duty he established daily tasks, and for the hoe (al) and the carrying-basket wages were even established. Then Enlil praised his hoe (al), his hoe (al) wrought in gold, its top inlaid with lapis lazuli, his hoe (al) whose blade was tied on with a cord, which was adorned with silver and gold, his hoe (al), the edge of whose point (?) was a plough of lapis lazuli, whose blade was like a battering ram {standing up to a great (gal) wall} {(1 ms. has instead:) born for a great (gal) person (?)}. The lord evaluated the hoe (al), determined its future destiny and placed a holy crown on its head …….
and it is only much later that Gibil is coming on stage and still than Enlil is separately named:
http://etcsl.orinst.ox.ac.uk/cgi-bin/et ... t=t.5.5.4#59-70. The king who measured up the hoe (al) and who passes (zal) his time in its tracks, the hero Ninurta, has introduced working with the hoe (altar) into the rebel (bal) lands. He subdues (alĝaĝa) any city that does not obey its lord. Towards heaven he roars (algigi) like a storm, earthwards he strikes (alĝaĝa) like a dragon (ušumgal). Šara {sat down on} {(1 ms. has instead:) got onto} Enlil's knees, and Enlil gave him what he had desired (al-dug): {he had mentioned the mace, the club, arrows and quiver, and the hoe (al)} {(3 mss. have instead:) he desired (al-dug) the mace, the club, arrows and quiver}. Dumuzid is the one who makes the upper land fertile (allumlum). Gibil made his hoe (al) raise its head towards the heavens -- he caused the hoe (al), sacred indeed, to be refined with fire. The Anuna were rejoicing (alḫulḫuledeš).
So if Rens could be so kind to show how he sees Enlil also styled as Gibil it would be of great help.
Another thing is his bringing in the work of:
Of course it is quite easy to set up his frame of explanation against the one of Frazer. But I personally think Rens builds a bit of a strawman here.In his monumental The Golden Bough, the famed Scottish anthropologist and belletrist, Sir James George Frazer (1854-1941), staked his claim that the mind everywhere evolves along similar lines, thus translating similar experiences in nature into similar superstitions and institutions. For all its elegance, however, this hypothesis does not stand up to the light of day.